Die Neuverfilmung von Jim Knopf und Lukas der Lokomotivführer kommt in ein paar Tagen in die Schweizer Kinos. Wird der Film dem Erbe der Geschichte gerecht? Lohnt es sich, den Film anzusehen? Ich war an einer Schweizer Premiere und habe Antworten.
There have been three Death Race movies, none of them particularly successful. Now there’s a fourth one. Does it deliver? Is it a bomb? One thing’s certain. I love every second of it.
There are few directors who have developed and improved on their style over the course of their careers. Wes Anderson is one of them. In his latest film, Isle of Dogs, it seems the director has found his style. Despite the fact that it’s stylistically as perfect as it’ll get, some things get lost among …
Fifty Shades of Over. After three movies, a trilogy of terrible things ends. Let’s take a look back at three films that have made their very own kind of cultural impact.
Marvel’s latest movie, Black Panther, opens in cinemas this week. While it’s a very good movie, it’s not without its flaws. It does, however, show that Marvel can still create engaging stories that are not reliant on spectacle.
The Disaster Artist ist das wohl ungewöhnlichste Meisterwerk der jüngeren Filmgeschichte. Warum? Weil nicht nur geht es im Film um einen schlechten Film, den schlechtesten Film sogar, sondern das Verrückteste: Der Film basiert auf einer wahren Geschichte.
